Sunday, 14 January 2018

A Curious Cutting at the Chazen

[source]
Last summer Maria Saffiotti Dale, Curator at the Chazen Museum of Art, sent me just the sort of provenance puzzle I enjoy. It concerned a 15th-century Italian cutting, shown above, described on the Chazen website as an "Initial 'D' from an Antiphonary from Como Cathedral with a Temple". [1]

On the back is an inscription which she could not entirely read: "I can make out all the inscriptions EXCEPT the initials(?) immediately preceding the date 1856 and what follows it. Any ideas?"

Wednesday, 10 January 2018

"Beyond Words" Exhibition Catalogue Online

I expect that many readers of this blog will have visited the "Beyond Words" exhibition in Boston and Cambridge towards the end of 2016, and many more will have bought the catalogue.

The catalogue has been made available online at Archive.org, where the entire text can be read, searched, or downloaded as a PDF:

[as usual, click to enlarge]

Saturday, 6 January 2018

Collages and Cuttings from an Unusual Breviary

[Source]
The Schoenberg Institute at the Kislak Center at the University of Pennsylvania is the only institution, as far as I'm aware, that regularly introduces its medieval manuscripts by way of YouTube videos; there are now more than 70 (including non-western MSS). I only recently became aware that one of these videos concerns not a codex, but two collages of cuttings, perhaps assembled in the 19th century, one of which is shown above.

This caught my attention because I had also recently been looking at other fragments from the same manuscript.

Sunday, 17 December 2017

Barney Rosenthal, by Ian Jackson

Many readers of this blog will have known, or at least known of, Bernard ("Barney") Rosenthal, who died at the beginning of the year. There are online obituaries by John Schilman here and by Ian Jackson here (also here).

Saturday, 9 December 2017

A Third New Cutting Illuminated by the Master of the Brussels Initials

Trawling images on my hard drive this week for something completely different I came across another cutting, apparently unpublished, apparently from the same Gradual as the ones in a recent post, now at the Detroit Institute of Arts:
[source]

Sunday, 3 December 2017

Louise Ege, Book-Breaker


After Otto Ege's early death in 1951, his widow Louise inherited his estate, of which much of the value was his collection of medieval manuscript leaves. At the time of his death he had apparently done all the groundwork to prepare the portfolios of "Fifty Original Leaves", but did not live long enough to start marketing and selling them. In a previous post I looked at an example of Louise's attempts to market portfolios after his death.

It is usually assumed or implied that she sold leaves from books that he had already broken up, and that her role after his death was simply to try to recover the money that he had invested in the collection, but I have recently identified an example of a book that she apparently bought and broke herself.

Monday, 27 November 2017

Two New Cuttings Illuminated by the Master of the Brussels Initials: A Postscript


Christie's kindly send me some snaps of the cutting that is at the top of my previous post; personally, I think the iPhone snap (above) looks much more appealing, and the colours more believable, than the professional studio image used on the website (below):